The development of African drama |
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-s) a comment made by an actor in role which is clearly audible to the audience
but is not meant to be heard by the other characters on the stage. Backcloth (n./pl.
-s; also N.Am., backdrop) a large piece of fabric, generally with scenes painted ...
-s) a comment made by an actor in role which is clearly audible to the audience
but is not meant to be heard by the other characters on the stage. Backcloth (n./pl.
-s; also N.Am., backdrop) a large piece of fabric, generally with scenes painted ...
Seite 292
They can peel off the layers of illusion, discovering new deceptions and new '
masks', until the audience see before them images of the characters' inner and
non-apparent selves. This is sometimes described as a deeper psychological
reality ...
They can peel off the layers of illusion, discovering new deceptions and new '
masks', until the audience see before them images of the characters' inner and
non-apparent selves. This is sometimes described as a deeper psychological
reality ...
Seite 335
His scathing indictment of third world societies is unique in African drama in two
ways: (1) he has an empathy with the poor and the destitute, and the rare talent to
create characters and dialogue that make his fictional world totally real; the ...
His scathing indictment of third world societies is unique in African drama in two
ways: (1) he has an empathy with the poor and the destitute, and the rare talent to
create characters and dialogue that make his fictional world totally real; the ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |