The Development of African DramaHutchison University Library for Africa, 1982 - 368 Seiten |
Im Buch
Ergebnisse 1-3 von 80
Seite 22
... become much more nervous about theatre than any of the other arts ; and playwrights who work in Pidgin or a vernacular find themselves harassed or sometimes even impris- oned . These playwrights begin to perceive , objectively , the ...
... become much more nervous about theatre than any of the other arts ; and playwrights who work in Pidgin or a vernacular find themselves harassed or sometimes even impris- oned . These playwrights begin to perceive , objectively , the ...
Seite 50
... become well - off so has his fictional ' personality ' Baba Sala . This develop- ment should be seen alongside the introduction of motion - picture inserts into the live performances of his plays . ' Baba Sala ' has quite literally become ...
... become well - off so has his fictional ' personality ' Baba Sala . This develop- ment should be seen alongside the introduction of motion - picture inserts into the live performances of his plays . ' Baba Sala ' has quite literally become ...
Seite 171
... become a man . Just now you are a beast and the girl was right to call you a brute . 37 At the end of the movement , when the peasant woman seems to have disappeared and Boy is beginning to lose his new - found confidence - [ ... a ...
... become a man . Just now you are a beast and the girl was right to call you a brute . 37 At the end of the movement , when the peasant woman seems to have disappeared and Boy is beginning to lose his new - found confidence - [ ... a ...
Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Bertolt Brecht Black Mamba Botswana Brecht characters Clark colonial consciousness contemporary context contradiction critical culture dance death Dedan Kimathi Demoke Dionysus drama and theatre Èdá English Euripides Everyman example fact father final Ghana Greek Heinemann Educational Books Hubert Ogunde Ibadan ibid irony Kaunda killed Kinjeketile Kitunda Kofi Kokutse lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ovonramwen Ozidi peasant Pentheus play play-texts play's playwright political popular theatre present prison problem ritual role Rotimi Rugyendo rural saga satire scene sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances University of Ibadan University Press urban village Wole Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |