The development of African drama |
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Seite 303
On the other hand, because the actors have to act it night after night through the
weeks of performances, they need to be distanced from the actual suffering they
or their fellow-actors have actually experienced. This is apparently a ...
On the other hand, because the actors have to act it night after night through the
weeks of performances, they need to be distanced from the actual suffering they
or their fellow-actors have actually experienced. This is apparently a ...
Seite 305
actors and to radical change are there, of course, but they are not the actor's first
responsibility. This results in the intense focus on personal relationships and a
sustained analysis of character which we see in most of his plays. True, these ...
actors and to radical change are there, of course, but they are not the actor's first
responsibility. This results in the intense focus on personal relationships and a
sustained analysis of character which we see in most of his plays. True, these ...
Seite 308
reports are named after the actors rather than the characters they play, and partly
because the person/character giving the report is not always the focus of that
scene. Thus, for example, 'Fana's Report' is not about the character Vusi who
gives ...
reports are named after the actors rather than the characters they play, and partly
because the person/character giving the report is not always the focus of that
scene. Thus, for example, 'Fana's Report' is not about the character Vusi who
gives ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |