The development of African drama |
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Seite 228
Against her mother's wishes she wilfully marries Kofi Ako, the young man of her
own choice, and walks out of her parents' home swearing never to return. Anowa
and Kofi Ako begin trading between the coast and the hinterland. Initially, they ...
Against her mother's wishes she wilfully marries Kofi Ako, the young man of her
own choice, and walks out of her parents' home swearing never to return. Anowa
and Kofi Ako begin trading between the coast and the hinterland. Initially, they ...
Seite 231
It begins with a journey by Kofi and Anowa, just after they are married, made
without slaves. It is one journey to symbolize many, and it culminates in Kofi Ako's
decision to purchase slaves. He fails to comprehend Anowa's deep-rooted ...
It begins with a journey by Kofi and Anowa, just after they are married, made
without slaves. It is one journey to symbolize many, and it culminates in Kofi Ako's
decision to purchase slaves. He fails to comprehend Anowa's deep-rooted ...
Seite 232
And she has 'the hot eyes and nimble feet of one born to dance for the gods'. She
is not exceptional, at least at the beginning of the play, beyond the
comprehension of her society. Kofi Ako, on the other hand, is ordinary to the point
of being at ...
And she has 'the hot eyes and nimble feet of one born to dance for the gods'. She
is not exceptional, at least at the beginning of the play, beyond the
comprehension of her society. Kofi Ako, on the other hand, is ordinary to the point
of being at ...
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Inhalt
Acknowledgements | 8 |
Introduction | 22 |
Traditional performance in contemporary society | 28 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
action actors actually African drama Amavi analysis Ananse Anansewa Anowa art theatre artistic audience Augusto Boal Bacchae become Benin Bero Black Mamba Botswana Brecht characters Clark colonial concerned consciousness contemporary context contradiction critical culture dance daughter death Dedan Kimathi Demoke Dionysus drama and theatre English Euripides Everyman example fact father final Forest Head Ghana Greek Hubert Ogunde Ibadan ibid improvisation intellectuals irony Kaunda killed King Kinjeketile Kitunda Kofi Kokutse Lateef lives London meaning moral mother Ngugi Ngugi wa Thiong'o Nigerian Oedipus Ogun Ogunde Ogunde's Ovonramwen Ozidi parody peasant Pentheus play play-texts play's playwright political popular theatre present prison problem refers ritual role Rotimi Rugyendo rural saga satire scene Sewa sing slaves social society song Soyinka specific stage direction story story-teller structure struggle tells theatre company tion traditional performances urban village Wole Soyinka woman Yoruba young Zambian
Verweise auf dieses Buch
Post-colonial Drama: Theory, Practice, Politics Helen Gilbert,Joanne Tompkins Keine Leseprobe verfügbar - 1996 |