BIOGRAPHY AND CRITICISM: S.'s Poems and Ballads, by W. M. Rossetti, 1866; Mr. S.'s "Flat Burglary" on Shakespeare, by F. J. Furnivall, 1879; The Bibliography of S., by R. H. Shepherd, 1883; other eds., 1884, 1887; Poètes modernes de l'Angleterre, by G. Sarrazin, 1885; Bibliographical List of the scarcer works and uncollected writings of S., by T. J. Wise, 1897; A. C. Swinburne (English Writers of To-Day), by T. Wratislaw, 1900; Studi e ritratti letterari, by G. Chiarini, 1900; Bibliographical List of the Works of A. C. S., by J. C. Thomson, 1905; Swinburne (Contemporary Men of Letters Series), by G. E. Woodberry, 1905; another ed., 1912; Rime as a Criterion of the Pronunciation of . . . S., by A. Gabrielson, 1909; S.: en Studie, by H. Svanberg, 1909; S. a lecture, by J. W. Mackail, 1909; Memories of S., by W. G. B. Murdoch, 1910; The Boyhood of A. S. (in the Contemporary Review), by Mrs. Disney Leith, 1910; S.'s Verskunst, by Maria Kado, 1911; S., by S. Gossaert, 1911; A. C. S.: a critical study, by Edward Thomas, 1912; S. in Studies and Portraits, by Edward Gosse, 1912.
Marlowe, 36, 105, 112, 138
Maundevile, 119, 120
Mazzini, 70
Meredith, George, 67
Meynell, Mrs. 31
Middleton, 175
Milton, 2, 29, 40, 59, 73, 76,
179, 181, 186, 205
Molière, 108
Morris, William, 60, 83, 93,
109, 138, 180
Murray, Gilbert, 143, 164
Rossetti, Christina, 87, 180
Rossetti, D. G., 90, 180
Sappho, 74
Savonarola, 171
Shakespeare, I, 2, 3, 35, 59,
87, 105, 108, 111, 138, 139,
145, 171, 173, 179, 181, 183,
185 seq., 205
Shelley, 1, 40, 54, 59, 67, 74,
76, 179, 181
Shirley, 43
Sidney, 35, 88
Spenser, 178
Sophocles, 178
Surrey, 36
Swinburne-control and use
of words, 2; the life of lan-
guage, 14; Sleep, 16; Hes-
peria, 18; the effect of his
valuation of language, 21;
the significance of words to
him, 24; use of metaphor,
24; the poet of eloquence,
27; use of the anapæst, 30;
its effect on his poetry, 32;
his metrical music, 34;
metrical schemes, 34; the
sublimation of the common
genius of the English lan-
guage, 35; the consum-
mation of an epoch, 36
Poetry and thought, 37;
the nature of techinque, 44 ;
Swinburne's thought, 44;
tragic joy, 47; his general
spiritual temper, 53; its
strength and its dangers, 54-
55; his relation to poetic
tradition, 58; his view of
literature, 60; his receptiv-
ity, 64; his view of the
natural world, 64; physical
delight in nature, 67; par-
ticularisation in his poetry,
69; his surrender to the
moment, 70; his attitude
towards the last Boer War,
72; his debt to his symbols
The Interpreters, 74;
Hymn of Man, 77; his
reading of life, 79; Swin-
burne and Morris, 83; Swin-
burne's power of self-sur-
render, 86; his catholicity, 87
Wit and the short poem, 89;
Swinburne's most satisfy-
ing achievements, 92; his
deficiency in the sense of
narrative continuity, 93;
the value of narrative, 94;
Tristram of Lyonesse, 95;
the relation of matter to
manner, 100; his sense of
form, 103
Swinburne's work as a drama-
tic poet, 105 seq.; The
Queen Mother, 109; Rosa-
mund, 112; Chastelard,
Bothwell, Mary Stuart, 119;
Locrine, 139; The Sisters,
145; Marino Faliero, 152;
Rosamund, Queen of the
Lombards, 155; The Duke
of Gandia, 157; Atalanta
in Calydon and Erectheus,
159
Swinburne's loyalty to his art,
166; his view of poetry, 168;
democracy and art, 169; his
standard of criticism, 171;
his limitations as a critic,
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