The Poet and the PoemWriter's Digest, 1974 - 482 Seiten The author summarizes his knowledge and lively opinions of the art, dealing with every aspect, from the moment of inspiration through the workshop labors, to publication and interpretation. |
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Seite 112
... couplet is hardly noticed . The fourth line , balanced by a central caesura , concluding on a firm . rhyme and the end of the sentence , marks the end of a movement of the poem , but in the fifth line the poet wants speed and ...
... couplet is hardly noticed . The fourth line , balanced by a central caesura , concluding on a firm . rhyme and the end of the sentence , marks the end of a movement of the poem , but in the fifth line the poet wants speed and ...
Seite 266
... couplet . The lines are mostly enjambed as opposed to the grammatically closed lines of the couplet . The aim is to suggest a swirl of feeling and disorder ; one does not want to distract the reader from the imagery and the feeling with ...
... couplet . The lines are mostly enjambed as opposed to the grammatically closed lines of the couplet . The aim is to suggest a swirl of feeling and disorder ; one does not want to distract the reader from the imagery and the feeling with ...
Seite 353
... couplet lends itself especially well to patterns of antithesis and balance . Notice how in each line the first half speaks to the second , and how the parts within the couplet as a whole speak to one another : Fir'd at first sight ...
... couplet lends itself especially well to patterns of antithesis and balance . Notice how in each line the first half speaks to the second , and how the parts within the couplet as a whole speak to one another : Fir'd at first sight ...
Inhalt
an ear for poetry | 7 |
amateur tradesman professional | 17 |
enter the critic | 27 |
Urheberrecht | |
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abstract accept alliteration anapest beat beauty become begins believe bird caesura called couplet course critical culture death diction dramatic drugs Dylan Thomas e. e. cummings editor emotion enjambed example experience eyes fact feel free verse Frost girl heart human humor iamb iambic pentameter imagery imagine important John Crowe Ransom Juliet Keats kind language literary live look lovers magazines means metaphor meter metrical mind nature never night pattern perhaps phrases play poem poet poet's poetic Pope prose published quatrain reader rhyme rhythm Romeo satire seems sense sentence Shakespeare simply song sonnet soul sound spondees stanza statement stress suggests sure symbols T. S. Eliot tell thee things thou thought tion tone trochees truth unaccented syllables verse paragraph vision W. B. Yeats words writing poetry Yeats