Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 10-11Indiana University Press, 1988 |
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Seite 43
... women vis - à - vis the law , while the unusual identification of a female narrator suggests a more equal opportunity approach , whereby men and women are the same before the law . These options are remarkably evocative of what ...
... women vis - à - vis the law , while the unusual identification of a female narrator suggests a more equal opportunity approach , whereby men and women are the same before the law . These options are remarkably evocative of what ...
Seite 124
... women ( the his- torical beings who make and watch TV programs ) and Woman ( a cultural construct produced in the discourses of television and about television ) -intersections which circumscribe the appar- ently multiple ...
... women ( the his- torical beings who make and watch TV programs ) and Woman ( a cultural construct produced in the discourses of television and about television ) -intersections which circumscribe the appar- ently multiple ...
Seite 19
... women and that the only place where women can recognize themselves is in images . But images made by whom ? The post- modern practice of questioning and deconstructing the images of women which have been begotten in the culture and ...
... women and that the only place where women can recognize themselves is in images . But images made by whom ? The post- modern practice of questioning and deconstructing the images of women which have been begotten in the culture and ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York