Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 10-11Indiana University Press, 1988 |
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Seite 124
... representation ( analyzed by Gillian Dyer and Charlotte Brunsdon as well as Holland , Skirrow , D'Acci , and others ) . The collection is not , in fact , divided according to these categories of production , reception , and representation ...
... representation ( analyzed by Gillian Dyer and Charlotte Brunsdon as well as Holland , Skirrow , D'Acci , and others ) . The collection is not , in fact , divided according to these categories of production , reception , and representation ...
Seite 24
... representation like hysteria and anorexia , and contradicts the experiences repres- ented in feminine artworks , but also consolidates the power of the real , the power of the masculine culture . Against this background , flashy ...
... representation like hysteria and anorexia , and contradicts the experiences repres- ented in feminine artworks , but also consolidates the power of the real , the power of the masculine culture . Against this background , flashy ...
Seite 165
... representation and their derived politicized forms is basically to turn away from it , leaving fundamentally intact the central problematic of representation and language . Unfortunately , this leaves Stephen Tyler as one of the few ...
... representation and their derived politicized forms is basically to turn away from it , leaving fundamentally intact the central problematic of representation and language . Unfortunately , this leaves Stephen Tyler as one of the few ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York