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This “ vocation of the perceptual , ” as Fredric Jameson calls it , works to divorce reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of ...
This “ vocation of the perceptual , ” as Fredric Jameson calls it , works to divorce reference from form , sense from sensation , or to make sense and reference be no more than a vague support for the seeming instantaneity of ...
Seite 125
A nodal point between the two sides of the film ( Jane's initial story of pioneer spirit versus her growing love for the new world of show ) , the tractor soon ceases to bear any reference to its farm function and becomes instead the ...
A nodal point between the two sides of the film ( Jane's initial story of pioneer spirit versus her growing love for the new world of show ) , the tractor soon ceases to bear any reference to its farm function and becomes instead the ...
Seite 120
Youth is the valued term , the point of reference for defining who is old . Interestingly enough , it is a point which in the psychic economy of an individual is not fixed . “ Young " is a moveable marker .
Youth is the valued term , the point of reference for defining who is old . Interestingly enough , it is a point which in the psychic economy of an individual is not fixed . “ Young " is a moveable marker .
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Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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