Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Bände 10-11Indiana University Press, 1988 |
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Seite 22
... aerobic dance exercise , a sort of jogging in place / dancing to popular music , inspired by Cooper . The name is equivocal , and indeed , aerobic dance - exercise ( popularly called " aerobics " ) spans or falls in between existing ...
... aerobic dance exercise , a sort of jogging in place / dancing to popular music , inspired by Cooper . The name is equivocal , and indeed , aerobic dance - exercise ( popularly called " aerobics " ) spans or falls in between existing ...
Seite 32
... aerobic utterance ) . Two spaces of enuncia- tion ( the original act being taped ; the act reacted at home ) are united by treating the act of representation as a mirror uniting them . The camera - act is like the surface which ...
... aerobic utterance ) . Two spaces of enuncia- tion ( the original act being taped ; the act reacted at home ) are united by treating the act of representation as a mirror uniting them . The camera - act is like the surface which ...
Seite 48
... aerobics lies in its backstage activity . Many aerobic moves are not designed to be attractive to a viewer ( " fire hydrant , ” “ donkey kick , ” aerobic kick , etc. ) ; they can even be embarrassing for the performer . 21There are ...
... aerobics lies in its backstage activity . Many aerobic moves are not designed to be attractive to a viewer ( " fire hydrant , ” “ donkey kick , ” aerobic kick , etc. ) ; they can even be embarrassing for the performer . 21There are ...
Inhalt
FallWinter 198788 | 2 |
Exercise and the Female Body on Video | 20 |
Rough Music Futurism and Postpunk Industrial Noise | 55 |
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aerobic aesthetic analysis anorexia anthropology audience avantgarde banality Baudrillard becomes Black butch-femme cinema civilization colonial contemporary context critical critique cultural studies death Death in Venice Derrida desire discourse dominant essay Eternal Frame ethnography ethnology female body feminine feminism feminist film film's Freud function futurist gender Hill Street Blues human ideal ideology issue Jane Kaja Silverman kitsch Kristeva L.A. Law Lacan language lesbian letter Madame Madame X male masculine masquerade mass culture means modern Modleski mother narrative noise non-Han object performance pleasure political pornography position postmodern practice problem production psychoanalysis question reading reality relation representation represents ritual role scene sense sexual difference social space spectator story strategies structure symbolic Tania Modleski television Teresa de Lauretis theory tion traditional trans transgression Ulrike Ottinger University Valie Export viewers voice woman women writing York