Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite xx
... experience ) , Benja- min consistently relies on his topographical approach again , breaks up the city into its constituent components , and , mobilizing striking and precise metaphors , shows himself an absolute master of reading the ...
... experience ) , Benja- min consistently relies on his topographical approach again , breaks up the city into its constituent components , and , mobilizing striking and precise metaphors , shows himself an absolute master of reading the ...
Seite 93
... experience alone that we gain certain knowledge of what is nearest to us and what is remot- est to us , and never of one without the other . This means , however , that man can be in ecstatic contact with the cosmos only communally . It ...
... experience alone that we gain certain knowledge of what is nearest to us and what is remot- est to us , and never of one without the other . This means , however , that man can be in ecstatic contact with the cosmos only communally . It ...
Seite 179
... experience . But anyone who has perceived that the writings of this circle are not literature but something else ... experiences , not with theories and still less with phantasms . And these experiences are by no means limited to dreams ...
... experience . But anyone who has perceived that the writings of this circle are not literature but something else ... experiences , not with theories and still less with phantasms . And these experiences are by no means limited to dreams ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur Frankfurter Zeitung function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing