Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
Im Buch
Ergebnisse 1-3 von 39
Seite xxxvii
... Kraus's po- lemical discourse , in which a radical technique of unmasking the enemy combines with an intense art of self - expression con- tinually sustained by demonic vanity . The critic Kraus be- haves like an actor who anxiously ...
... Kraus's po- lemical discourse , in which a radical technique of unmasking the enemy combines with an intense art of self - expression con- tinually sustained by demonic vanity . The critic Kraus be- haves like an actor who anxiously ...
Seite 263
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him , inviting them ...
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him , inviting them ...
Seite 265
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of language . To the ...
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of language . To the ...
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
14 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
André Breton appears art nouveau Baudelaire become Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur Frankfurter Zeitung function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing