Reflections: Essays, Aphorisms, Autobiographical WritingsHarcourt Brace Jovanovich, 1978 - 348 Seiten |
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Seite 263
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him ... Karl Kraus 263.
... Kraus , in his recitals , does not speak the words of Offenbach or Nestroy : they speak from him . And now and then a breathtaking , half - blank , half - glittering whore- monger's glance falls on the crowd before him ... Karl Kraus 263.
Seite 265
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of ... Karl Kraus 265.
... Kraus access to the two poles of linguistic expression — the enfeebled pole of humming and the armed pole of pathos - and those which forbid his sanctification of the word to take on the forms of the Georgean cult of ... Karl Kraus 265.
Seite 267
... Kraus aims further than it appears . He himself , at any rate , satisfied this requirement to the extent that he never envisaged the child as the object of education but , in an image from his own youth , as the antagonist ... Karl Kraus 267.
... Kraus aims further than it appears . He himself , at any rate , satisfied this requirement to the extent that he never envisaged the child as the object of education but , in an image from his own youth , as the antagonist ... Karl Kraus 267.
Inhalt
A Berlin Chronicle | 3 |
OneWay Street selection | 61 |
Moscow | 97 |
Urheberrecht | |
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André Breton appears art nouveau Baudelaire become Berlin Bertolt Brecht bourgeois bourgeoisie Brecht Café called close communication concept creation creative criticism demon destructive character dialectical divine dream ends epic theater essay existence experience expression fascism fate feeling flâneur Frankfurter Zeitung function German Gershom Scholem guilt hand hashish human idea intellectual Kafka Karl Kraus Kraus language later lawmaking less linguistic literary living magic Marxist means memory ment mimetic moral Moscow nature never night novel origin Paris perhaps person petit bourgeois picture poem poetry political production profane proletarian question relation relationship revolutionary Russian Saint-Simonists seemed signs social speak sphere stands street strike struggle Surrealism Surrealists theater things thought Threepenny Opera tion true turn violence walls Walter Benjamin window word writing