Pretty in Punk: Girls' Gender Resistance in a Boys' Subculture

Cover
Rutgers University Press, 1999 - 286 Seiten
3 Rezensionen
Rezensionen werden nicht überprüft, Google sucht jedoch gezielt nach gefälschten Inhalten und entfernt diese

Pretty in Punk combines autobiography, interviews, and sophisticated analysis to create the first insider's examination of the ways punk girls resist gender roles and create strong identities.

Why would an articulate, intelligent, thoughtful young women shave off most of her hair, dye the remainder green, shape it into a mohawk, and glue it onto her head? What attracts girls to male-dominated youth subcultures like the punk movement? What role does the subculture play in their perceptions of themselves, and in their self-esteem? How do girls reconcile a subcultural identity that is deliberately coded "masculine" with the demands of femininity?

Research has focused on the ways media and cultural messages victimize young women, but little attention has been paid to the ways they resist these messages. In Pretty in Punk, Lauraine Leblanc examines what happens when girls ignore these cultural messages, parody ideas of beauty, and refuse to play the games of teenage femininity. She explores the origins and development of the punk subculture, the processes by which girls decide to "go punk," patterns of resistance to gender norms, and tactics girls use to deal with violence and harassment.

Pretty in Punk takes readers into the lives of girls living on the margins of contemporary culture. Drawing on interviews with 40 girls and women between the ages of 14-37, Leblanc examines the lives of her subjects, illuminating their forms of rebellion and survival. Pretty in Punk lets readers hear the voices of these women as they describe the ways their constructions of femininity--from black lipstick to slamdancing--allow them to reject damaging cultural messages and build strong identities. The price they pay for resisting femininity can be steep--girls tell of parental rejection, school expulsion, institutionalization, and harassment. Leblanc illuminates punk girls' resistance to adversity, their triumphs over tough challenges, and their work to create individual identities in a masculine world.

 

Was andere dazu sagen - Rezension schreiben

Rezensionen werden nicht überprüft, Google sucht jedoch gezielt nach gefälschten Inhalten und entfernt diese

LibraryThing Review

Nutzerbericht  - metalpig - LibraryThing

_Pretty in Punk: Girl's Gender Resistance in a Boy's Subculture_, Lauraine LeBlanc. The author says in her introduction that female participation in subcultures is very understudied (something that ... Vollständige Rezension lesen

LibraryThing Review

Nutzerbericht  - paisley1974 - LibraryThing

I enjoyed reading this academic treatment with an inside perspective. I was really surprised to learn that there is little work on such subcultures from a girl's perspective. Vollständige Rezension lesen

Inhalt

A Vitriolic Prologue
1
Subcultural Stories
65
Nonacademic Conclusions
218
Notes
259
Index
275
Urheberrecht

Andere Ausgaben - Alle anzeigen

Häufige Begriffe und Wortgruppen

Beliebte Passagen

Seite 11 - Mohicans the vapid Alice gains the hero's heart, not the valiant Clara; in Little Women the likable Jo is only a childhood playmate for Laurie: his love is reserved for the insipid Amy and her curls. To be feminine is to appear weak, futile, docile. The young girl is supposed not only to deck herself out, to make herself ready, but also to repress her spontaneity and replace it with the studied grace and charm taught her by her elders. Any self-assertion will diminish her femininity and her attractiveness.
Seite 17 - Resistance in this case redefines the causes and meaning of oppositional behavior by arguing that it has little to do with deviance and learned helplessness, but a great deal to do with moral and political indignation.
Seite 106 - The delinquent response, however it may be condemned by others on moral grounds, has at least one virtue: it incontestably confirms, in the eyes of all concerned, his essential masculinity. The delinquent is the rogue male. His conduct may be viewed not only negatively, as a device for attacking and derogating the respectable culture; positively it may be viewed as the exploitation of modes of behavior which are traditionally...
Seite 35 - was a dirty word at the time. Us putting Punk on the cover was like putting the word fuck on the cover. People were very upset. It was controversial' (quoted in Osgerby 1999: 162). McNeil recalled that the term punk was what your teachers would call you. It meant you were the lowest. All of us drop-outs and fuck-ups got together and started a movement. We'd been told all our lives that we'd never amount to anything. We're the people who fell through the cracks of the educational system.
Seite 198 - Sexual harassment, most broadly defined, refers to the unwanted imposition of sexual requirements in the context of a relationship of unequal power.
Seite 15 - ... empty' fetishes, objects to be desired, fondled and valued in their own right. At the risk of sounding melodramatic, we could use Umberto Eco's phrase 'semiotic guerrilla warfare' (Eco 1972) to describe these subversive practices. The war may be conducted at a level beneath the consciousness of the individual members of a spectacular subculture...
Seite 35 - Punk rock — any kid can pick up a guitar and become a rock 'n' roll star, despite or because of his lack of ability, talent, intelligence, limitations and/or potential, and usually does so out of frustration, hostility, a lot of nerve and a need for ego fulfilment \sic]
Seite 67 - The delinquent is the rogue male. His conduct may be viewed not only negatively . . .; positively it may be viewed as the exploitation of modes of behaviour which are traditionally symbolic of untrammelled masculinity, which are renounced by middle-class culture because incompatible with its ends, but which are not without...

Bibliografische Informationen