Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 2Indiana University Press, 2000 |
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Seite 13
... sequence thus elaborates further upon the notion of the body as a text in two languages . By situating the black and white bodily parts within a photo- graph of a photograph , Syntagma imbues them with a hyperbolic specularity . It ...
... sequence thus elaborates further upon the notion of the body as a text in two languages . By situating the black and white bodily parts within a photo- graph of a photograph , Syntagma imbues them with a hyperbolic specularity . It ...
Seite 22
... sequence were to continue , the studio would itself be enfolded once again within a real desert or forest , and the forest within a stadium , etc. The next sequence reminds us that this extended discourse upon the interpenetration of ...
... sequence were to continue , the studio would itself be enfolded once again within a real desert or forest , and the forest within a stadium , etc. The next sequence reminds us that this extended discourse upon the interpenetration of ...
Seite 32
... sequence which occurs chronologically at the end of the first day of the film helps us to understand Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to her ...
... sequence which occurs chronologically at the end of the first day of the film helps us to understand Anna's unusual receptivity to the disturbances in the visual field . The sequence is prefaced with a shot of Anna talking to her ...
Inhalt
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Urheberrecht | |
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Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York