Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 2Indiana University Press, 2000 |
Im Buch
Ergebnisse 1-3 von 19
Seite 12
... produced as spectacle from the place of the Other.4 At the end of this video sequence , the woman in the trench coat first enters and then exits a subway car , oblivious to the electronic eye trained upon her . Later in the film , we ...
... produced as spectacle from the place of the Other.4 At the end of this video sequence , the woman in the trench coat first enters and then exits a subway car , oblivious to the electronic eye trained upon her . Later in the film , we ...
Seite 14
... produced through tactile , cutaneous and kinaesthetic sensations . Although this body is primarily responsible for our experience of corporeal reality , it is no less a representation than the body produced through the clicking of the ...
... produced through tactile , cutaneous and kinaesthetic sensations . Although this body is primarily responsible for our experience of corporeal reality , it is no less a representation than the body produced through the clicking of the ...
Seite 63
... producing which represents and sets before . In such producing , man contends for the position in which he can be that particular being who gives the measure and draws up the guidelines for everything that is . ( 134 ) Export's ...
... producing which represents and sets before . In such producing , man contends for the position in which he can be that particular being who gives the measure and draws up the guidelines for everything that is . ( 134 ) Export's ...
Inhalt
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York