Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 2Indiana University Press, 2000 |
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Seite 16
... mirror reflection , Export's photographs of photographs show the flesh and blood woman holding hands with , lying proximate to , or even embracing her black and white companion . But Syntagma complicates the Wallonian and Schilderian ...
... mirror reflection , Export's photographs of photographs show the flesh and blood woman holding hands with , lying proximate to , or even embracing her black and white companion . But Syntagma complicates the Wallonian and Schilderian ...
Seite 37
... mirror.8 The similarities between these allegories , as well as the important distinctions which mark them , require some explication . Freud's anecdote reads thus : It is interesting to observe what the effect is of meeting one's own ...
... mirror.8 The similarities between these allegories , as well as the important distinctions which mark them , require some explication . Freud's anecdote reads thus : It is interesting to observe what the effect is of meeting one's own ...
Seite 38
... mirror . In the first , Anna stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick ...
... mirror . In the first , Anna stands in mid - shot with her face in profile , looking into a framed glass in which her reflection is visible . Suddenly , the mirror image begins to move independently , and starts to put on red lipstick ...
Inhalt
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Urheberrecht | |
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Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York