Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 2Indiana University Press, 2000 |
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Seite 35
... final shot of the sequence depicts the two hands clasped together in close - up . The cutout figures ' life - sized and unframed qualities create the sense that they actually take up space in the plaza , an illusion that continues until ...
... final shot of the sequence depicts the two hands clasped together in close - up . The cutout figures ' life - sized and unframed qualities create the sense that they actually take up space in the plaza , an illusion that continues until ...
Seite 44
... final image of tearing the photograph not as a cynical gesture about visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has ...
... final image of tearing the photograph not as a cynical gesture about visual produc- tion as a whole , but as Anna's rejection of the illusions about visual mastery which have plagued her , and for which the photographic camera has ...
Seite 90
... final work . I make the claim that her body is " erased , " and even though her image is present - in fact , it is likely to be the largest image , since that image is shot in the larger gauge — the viewer knows that the camera which ...
... final work . I make the claim that her body is " erased , " and even though her image is present - in fact , it is likely to be the largest image , since that image is shot in the larger gauge — the viewer knows that the camera which ...
Inhalt
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York