Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 22,Ausgabe 2Indiana University Press, 2000 |
Im Buch
Ergebnisse 1-3 von 18
Seite 49
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
... Judith's suicidal fall , yet the voice of a female announcer over the film's final credits calling out a flight departing for Chicago leads us more firmly to believe that Judith is on to a new life away from her country . Even though ...
Seite 59
... Judith as they each separately walk towards and enter a hotel room where they are appointed to meet . Leading up to a brief encounter between the lovers , this nonetheless prolonged display of movement and gesture is clearly ...
... Judith as they each separately walk towards and enter a hotel room where they are appointed to meet . Leading up to a brief encounter between the lovers , this nonetheless prolonged display of movement and gesture is clearly ...
Seite 62
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
... Judith's ( or any woman's ) actual social and cultural inscription . In this regard , Judith's confession to Alfons of her desire to be " present " belies her paradoxical status as both an independent woman with professional and sexual ...
Inhalt
Speak Body | 8 |
Valie Exports Invisible Adversaries | 25 |
Feminist Phenomenology | 46 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Adelheid Arndt Adjoined Dislocations aggression Alfons Alfons's Anna Anna's apparatus Art Informel artists becomes black and white blonde woman bodily camera corporeal counter-surveillance cultural Denham desire Discourse 22.2 Spring dream Empire State Building erotic essay expanded cinema Export's film external female body feminine feminist Feminist Actionism field of vision figure film's Fluxus Freud gaze gender hand Haver Heidegger Heidegger's Hyksos Invisible Adversaries island Jacques Lacan Judith Kaja Silverman King Kong Lacan language Lingis male material metaphor mirror mode movement object Oskar Kokoschka paranoia perception phenomenological philosophical Photo photographic pleasure political position Practice of Love present produced psychic psychoanalytic radical relation representation Roswitha Mueller scene Schimmel Schoedsack Schreber's screen sensational body sense sequence sexual shot simultaneously Skull Island space specular suggests Syntagma tion Touch Cinema Trans Uncanny Valie Export Vienna Viennese Action viewer Visible World visual world picture York