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Seite 103
In the end , he justifies his action by suggesting that rape would be a potential part of any woman's torture , thus essentially differentiating her situation from that of men . Lesley Merryfinch's distinction is applicable : “ The male ...
In the end , he justifies his action by suggesting that rape would be a potential part of any woman's torture , thus essentially differentiating her situation from that of men . Lesley Merryfinch's distinction is applicable : “ The male ...
Seite 107
What Variety remarks as inexplicable in terms of plot development - " the melodramatics and shootouts " — are logical developments of the plot of rape , 20 in which a single man must be recognized and punished as “ enemy ” so that no ...
What Variety remarks as inexplicable in terms of plot development - " the melodramatics and shootouts " — are logical developments of the plot of rape , 20 in which a single man must be recognized and punished as “ enemy ” so that no ...
Seite 112
And while some of this is undoubtedly going on , I am concerned that the narrative emphases placed on the rape and on the forgiveness act against such interpretations . No matter how long or how often the rape scene is repeated in a ...
And while some of this is undoubtedly going on , I am concerned that the narrative emphases placed on the rape and on the forgiveness act against such interpretations . No matter how long or how often the rape scene is repeated in a ...
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Inhalt
Introduction | 3 |
Michael Moon and Eve Kosofsky Sedgwick | 12 |
The Language of Expression on Natures Stage | 40 |
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