Im Buch
Ergebnisse 1-3 von 54
Seite 103
to mourning the fact that knowledge is no longer principally narrative . ” 21 In fact most “ knowledge " of grief is presented through the medium of narrative as is illustrated by this small story included , astonishingly , in a volume ...
to mourning the fact that knowledge is no longer principally narrative . ” 21 In fact most “ knowledge " of grief is presented through the medium of narrative as is illustrated by this small story included , astonishingly , in a volume ...
Seite 175
... falls very quickly into a reductionist and sociological conception where all aesthetic or personal performances are explained by the social milieu or a similar fate : from the fact that you were born red , black , white , or poor .
... falls very quickly into a reductionist and sociological conception where all aesthetic or personal performances are explained by the social milieu or a similar fate : from the fact that you were born red , black , white , or poor .
Seite 24
In relation to the lesbian - feminist positions of Adrienne Rich's poetry , for example , this phrase describes not the power inherent in motherhood , not in fact all aspects of her own experience of motherhood , but the valuation ...
In relation to the lesbian - feminist positions of Adrienne Rich's poetry , for example , this phrase describes not the power inherent in motherhood , not in fact all aspects of her own experience of motherhood , but the valuation ...
Was andere dazu sagen - Rezension schreiben
Es wurden keine Rezensionen gefunden.
Inhalt
Introduction | 3 |
Michael Moon and Eve Kosofsky Sedgwick | 12 |
The Language of Expression on Natures Stage | 40 |
9 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
advertising American analysis appears argues authority become body Bruno castration Center century character cinema claims consider construction contemporary crisis critical culture dance death desire discourse discussion early effect emotions essay example experience expression fact female feminine feminism feminist figure film force Freud gender Graham hand homosexual human hysteria hysterical idea identity important individual interest issues John kind Kristeva language lesbians lives look male masculine mass means mother mourning movement narrative nature notes object performance perhaps person play political popular position possible postmodern practice present problem produce psychoanalysis question rape reading reference relation representation represents rhetorical scene seems sense sexual social society speak spectator stage story structure suggests theory things tion University woman women writing York