Discourse, Band 13Indiana University Press, 1990 |
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Seite 113
... early work , to the exclusion of flow and time . Removing flow and time is tantamount to removing the link which renders weight , tension , and angularity organic , emotional , and conventionally human . Consider Lamentation ( 1930 ) ...
... early work , to the exclusion of flow and time . Removing flow and time is tantamount to removing the link which renders weight , tension , and angularity organic , emotional , and conventionally human . Consider Lamentation ( 1930 ) ...
Seite 115
... early thirties attempted to redefine presence in purely bodily terms . One essential means of that redefinition was the concerted use of ambiguity whose physical hallmarks were weight and discontinuity . By eliminating flow , Graham ...
... early thirties attempted to redefine presence in purely bodily terms . One essential means of that redefinition was the concerted use of ambiguity whose physical hallmarks were weight and discontinuity . By eliminating flow , Graham ...
Seite 4
between early cinema and advertising : films about products and services functioned as moving picture annexes of print cam- paigns geared largely to touting the merits of a product . Still , filmed versions of ads always included a ...
between early cinema and advertising : films about products and services functioned as moving picture annexes of print cam- paigns geared largely to touting the merits of a product . Still , filmed versions of ads always included a ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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