Discourse, Band 13Indiana University Press, 1990 |
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Seite 112
... Graham.R While it would be anachronistic to claim that Graham prac- ticed a rigorous minimalism , it is patently just as false to ignore that she cultivated ambiguity . Ambiguity was a key to Graham's formalism : movement for movement's ...
... Graham.R While it would be anachronistic to claim that Graham prac- ticed a rigorous minimalism , it is patently just as false to ignore that she cultivated ambiguity . Ambiguity was a key to Graham's formalism : movement for movement's ...
Seite 126
... Graham's primitivist avant - gardism . 28 Graham , qtd . in Karl Leabo , ed . , Martha Graham ( New York : Theatre Arts Books , 1961 ) n . pag . 29 Graham , qtd . in Armitage 101 . 30 Graham , " Seeking , " 249 ( my emphasis ) . She ...
... Graham's primitivist avant - gardism . 28 Graham , qtd . in Karl Leabo , ed . , Martha Graham ( New York : Theatre Arts Books , 1961 ) n . pag . 29 Graham , qtd . in Armitage 101 . 30 Graham , " Seeking , " 249 ( my emphasis ) . She ...
Seite 127
... Graham , qtd . in Armitage 98 . 43 Graham , qtd . in Leabo n . pag . 44 In a strange and unexpected light , one can see within this view the profile of Cunningham's “ laissez - faire " attitude toward his dancers in everything that did ...
... Graham , qtd . in Armitage 98 . 43 Graham , qtd . in Leabo n . pag . 44 In a strange and unexpected light , one can see within this view the profile of Cunningham's “ laissez - faire " attitude toward his dancers in everything that did ...
Inhalt
Introduction | 3 |
A Dossier a Performance Piece a LittleUnderstood Emotion | 12 |
The Language of Expression on Natures Stage | 40 |
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