Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 20,Ausgaben 1-2Indiana University Press, 1998 |
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Seite 146
... body . Strand : Well it is in a way . I really hate the tripod , I'll use it , but hardly ever . I'll use it if I'm doing a long shot or for instance in Soft Fiction I used it a lot . I used it mainly because I needed both hands free to ...
... body . Strand : Well it is in a way . I really hate the tripod , I'll use it , but hardly ever . I'll use it if I'm doing a long shot or for instance in Soft Fiction I used it a lot . I used it mainly because I needed both hands free to ...
Seite 169
... body to do it , but it's a natural voice when you're settled down and rested in your body . So I think probably what I was hallu- cinating was some latent experience of my own body and my own voice . My own nervous system , so to speak ...
... body to do it , but it's a natural voice when you're settled down and rested in your body . So I think probably what I was hallu- cinating was some latent experience of my own body and my own voice . My own nervous system , so to speak ...
Seite 207
... body parts juxtaposed to uncertain surgical instruments . Significantly , the previous poem in this collection ... bodies : " The Black Sphinx of Objective Humor can not fail to meet on the dusty road , the road of the future , the White ...
... body parts juxtaposed to uncertain surgical instruments . Significantly , the previous poem in this collection ... bodies : " The Black Sphinx of Objective Humor can not fail to meet on the dusty road , the road of the future , the White ...
Inhalt
Winter and Spring 1998 | 28 |
Eileen Kaufman | 67 |
shall Sell Paris | 101 |
Urheberrecht | |
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