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The central narrative of Hattie Jones ' How I Became Hattie Jones ( 1990 ) is the emergence of the writer herself , as the sum of her experience and owning the confidence to express it . Included are pieces of creative writing which ...
The central narrative of Hattie Jones ' How I Became Hattie Jones ( 1990 ) is the emergence of the writer herself , as the sum of her experience and owning the confidence to express it . Included are pieces of creative writing which ...
Seite 238
Hattie Jones subsequently credited Joyce Johnson for the inspiration to undertake her own memoir of Beat life . In How I Became Hattie Jones , Jones in turn highlights the contributions of other overlooked women writers and artists from ...
Hattie Jones subsequently credited Joyce Johnson for the inspiration to undertake her own memoir of Beat life . In How I Became Hattie Jones , Jones in turn highlights the contributions of other overlooked women writers and artists from ...
Seite 239
Jones relates that Martha King tried to justify her limited output to her first publisher by saying , “ I'm an occasional poet , ” only to have him reply forcefully , “ You're a poet who writes occasionally ” ( How I Became 178 ) .
Jones relates that Martha King tried to justify her limited output to her first publisher by saying , “ I'm an occasional poet , ” only to have him reply forcefully , “ You're a poet who writes occasionally ” ( How I Became 178 ) .
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Inhalt
DIS Discourse 20 1 2 | 20 |
Eileen Kaufman | 67 |
Ted Joans | 91 |
Urheberrecht | |
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Häufige Begriffe und Wortgruppen
Abomunists African Allen AMERICAN SUN Ancient Rain artist asked bears Beat become beginning blue body called City Color coming culture death don't dream experience eyes falling feel film Foley Gates Ginsberg give Gysin hear Holy interesting it's Jack jazz Joans Jones Kaufman Kerouac kind language later letter Lights literary live look mean Michigan mind minutes move Negro never night notes once painting Paris person pieces play poem poet poetic poetry political possible Power Press published record Road San Francisco scene sell sense songs sound speak Strand Surrealism Surrealist talk Ted Joans tell that's thing thought transformation turn University vision voice whole woman women writing written York
Bibliografische Informationen
| Titel | Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Band 20,Ausgaben 1-2 |
| Mitwirkende | Project Muse, JSTOR (Organization), University of Wisconsin--Milwaukee. Center for Twentieth Century Studies |
| Verlag | Indiana University Press, 1998 |
| Original von | University of Michigan |
| Digitalisiert | 25. Apr. 2008 |
| Zitat exportieren | BiBTeX EndNote RefMan |