Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 42
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
... women , all concerned with the surreal banalities of everyday life , represents the shared concern of women artists in the seventies " to see with their own eyes . " By including these films in her own , Sander is claiming the political ...
Seite 32
... women painters at the Brooklyn Museum : when asked “ Are there no black women painters represented here ? " ( none of them is , apparently ) , a white woman feminist simply replies " It's a women's exhibit ! ” 30 * * * What is woman ...
... women painters at the Brooklyn Museum : when asked “ Are there no black women painters represented here ? " ( none of them is , apparently ) , a white woman feminist simply replies " It's a women's exhibit ! ” 30 * * * What is woman ...
Seite 55
... women when , after his visit to Algiers , he makes the following remarks about the harem in his journal : " It's beautiful ! It's the way things were in Homer's day ! The wife in the women's quarters , looking after the chil- dren ...
... women when , after his visit to Algiers , he makes the following remarks about the harem in his journal : " It's beautiful ! It's the way things were in Homer's day ! The wife in the women's quarters , looking after the chil- dren ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York