Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 79
Seite 32
... woman feminist simply replies " It's a women's exhibit ! ” 30 * * * What is woman ? Long ago , during one of the forceful speech- es she delivered in defense of her people , Sojourner Truth had been requested by a threatened white ...
... woman feminist simply replies " It's a women's exhibit ! ” 30 * * * What is woman ? Long ago , during one of the forceful speech- es she delivered in defense of her people , Sojourner Truth had been requested by a threatened white ...
Seite 36
... Woman : Minority Women Writers of the United States ( Boston : Houghton Mifflin , 1980 ) 444 . 21 Yamada , “ Asian ... Woman , " Women Poets of Japan , eds . Kenneth Rexroth and Ikuko Atsumi ( New York : New Directions Books , 1977 ) 123 ...
... Woman : Minority Women Writers of the United States ( Boston : Houghton Mifflin , 1980 ) 444 . 21 Yamada , “ Asian ... Woman , " Women Poets of Japan , eds . Kenneth Rexroth and Ikuko Atsumi ( New York : New Directions Books , 1977 ) 123 ...
Seite 90
... woman walks down a street past a series of men , each of whom feel compelled by custom to say a piropo ( the piropo is a short statement or word that may be flatter- ing or obscene - what is said matters less than the recognition of ...
... woman walks down a street past a series of men , each of whom feel compelled by custom to say a piropo ( the piropo is a short statement or word that may be flatter- ing or obscene - what is said matters less than the recognition of ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York