Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 105
... traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy , initially , seemed to be directed against the illusory or imaginary plenitude of voice synchronized ...
... traditional identification of diegesis with narrative , and narrative with a linear deployment of binary oppositions . The strategy , initially , seemed to be directed against the illusory or imaginary plenitude of voice synchronized ...
Seite 86
... traditional image of man and projec- tively rejects the new model along the lines : we are what we always have been ... traditional understanding of man , litera- ture , or society . But it simultaneously redefines the familiar item . in ...
... traditional image of man and projec- tively rejects the new model along the lines : we are what we always have been ... traditional understanding of man , litera- ture , or society . But it simultaneously redefines the familiar item . in ...
Seite 100
... traditional reading experience . Otherwise postmodern nuclear writing would be not less affirmative of its enemy than it supposes its traditional corol- lary of " social criticism " to be . Very little evidence of this sort has been ...
... traditional reading experience . Otherwise postmodern nuclear writing would be not less affirmative of its enemy than it supposes its traditional corol- lary of " social criticism " to be . Very little evidence of this sort has been ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York