Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 8
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
... speech is problematized as speaking with no speech or not speaking as speech . " What is heard on the soundtrack of this film is the very absence of a verbal commentary and of spoken words ; only a brief wordless tune interrupts the ...
Seite 124
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . - Within ...
... speech . The punishments I received for " talking back " were intended to suppress all possibility that I would create my own speech . That speech was to be suppressed so the " right speech of womanhood " would emerge . - Within ...
Seite 125
... speech for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These writings I hid under my bed , in pillow stuffings , among faded underwear ...
... speech for I was always saying the wrong thing , asking the wrong questions . I could not confine my speech to the necessary corners and concerns of life . These writings I hid under my bed , in pillow stuffings , among faded underwear ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York