Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 59
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
... spectator into the complacent security of a world- wise subject of the state is more likely to irritate the spectator in the cinema who , after all , came to see a single feature film . From the per- spective of the latter , Germany in ...
Seite 60
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier.14 In the classic essay of the same title , Metz ...
... spectators . 13 The notion of the film in the spectator's head prompts a com- parison with psychoanalytic film theory , in particular the writings of Metz in The Imaginary Signifier.14 In the classic essay of the same title , Metz ...
Seite 61
... spectator of the contemporary Hollywood pro- duct , an alternative cinema has to engender a resistance - in the psychoanalytic sense - resistances that provoke the spectator into auto- nomous co - authorship . Hence the importance of ...
... spectator of the contemporary Hollywood pro- duct , an alternative cinema has to engender a resistance - in the psychoanalytic sense - resistances that provoke the spectator into auto- nomous co - authorship . Hence the importance of ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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