Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 25
... space . Emmanuel Le Roy Ladurie , in his brilliant and tragic book Car- nival at Romans , analyzes the failed up ... space , or the equally doomed expression of class oppression within a space contained by the dominant order . The rites ...
... space . Emmanuel Le Roy Ladurie , in his brilliant and tragic book Car- nival at Romans , analyzes the failed up ... space , or the equally doomed expression of class oppression within a space contained by the dominant order . The rites ...
Seite 106
... space which is neither subordinate to nor leading the image . On the other hand , their ' voices ' rarely comment on the images in a way that would ' split ' the spectator between voice and image , be- tween one diegetic space and ...
... space which is neither subordinate to nor leading the image . On the other hand , their ' voices ' rarely comment on the images in a way that would ' split ' the spectator between voice and image , be- tween one diegetic space and ...
Seite 110
... space . One of the first images in the film is an animated but realistic image of the planet revolving . This prefaces the contents of the film with a global dimension , an omniscient point of view which characterizes imperialism ...
... space . One of the first images in the film is an animated but realistic image of the planet revolving . This prefaces the contents of the film with a global dimension , an omniscient point of view which characterizes imperialism ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York