Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 68
... seen is contradicted by the paradoxes of time . After all , one has no sooner seen than forgotten . I can say that I am looking while I should be saying that I have already seen , caught endlessly in a circumscribed reflection on the ...
... seen is contradicted by the paradoxes of time . After all , one has no sooner seen than forgotten . I can say that I am looking while I should be saying that I have already seen , caught endlessly in a circumscribed reflection on the ...
Seite 71
... seen or thought I have seen . But I also remember so little of what I have seen . Those images race by . I try to imagine my heart beating and I am rocked by the image of my friend dying . I open my eyes but the room looks different ...
... seen or thought I have seen . But I also remember so little of what I have seen . Those images race by . I try to imagine my heart beating and I am rocked by the image of my friend dying . I open my eyes but the room looks different ...
Seite 74
... seen , has heard . . . . You know what follows . No doubt one could ask plenty of troubling questions about this chain of desire . In reality , aren't the men of Buenos Aires linked ... to each other ? What is the goal of this game , so ...
... seen , has heard . . . . You know what follows . No doubt one could ask plenty of troubling questions about this chain of desire . In reality , aren't the men of Buenos Aires linked ... to each other ? What is the goal of this game , so ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York