Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 105
... referent . While there are some very powerful ( and well- rehearsed ) arguments why , despite the cinema's undeniable icon- icity , the specific figurative operations of any filmic text ensure that the referent remains in some sense ...
... referent . While there are some very powerful ( and well- rehearsed ) arguments why , despite the cinema's undeniable icon- icity , the specific figurative operations of any filmic text ensure that the referent remains in some sense ...
Seite 114
... referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent , a status of ...
... referent , where the referents become , if not unreal , then in some sense substitutable , with the filmic images occupying , between the ' timeless ' space of the verbal diegesis , and the historically specific referent , a status of ...
Seite 41
... referent as a fiction or fable , they cannot reconstitute themselves in the aftermath of their total destruc- tion as archive . As Derrida writes , The only referent that is absolutely real is thus of the scope or dimension of an ...
... referent as a fiction or fable , they cannot reconstitute themselves in the aftermath of their total destruc- tion as archive . As Derrida writes , The only referent that is absolutely real is thus of the scope or dimension of an ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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