Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 65
Seite 55
... practice , the work of remembering and rewriting . Moreover , Kluge's textual practices sug- gest a reconsideration of the problem of figuration in film , a set of questions occluded by the collapse of rhetoric into semiotics . The ...
... practice , the work of remembering and rewriting . Moreover , Kluge's textual practices sug- gest a reconsideration of the problem of figuration in film , a set of questions occluded by the collapse of rhetoric into semiotics . The ...
Seite 62
... practice of montage reach into the fields of literature ( the example of Joyce ) , rhetoric , and epistemology . In a late essay strongly influenced by Kluge , Adorno points out that the images of the interior monologue ( i.e. , the ...
... practice of montage reach into the fields of literature ( the example of Joyce ) , rhetoric , and epistemology . In a late essay strongly influenced by Kluge , Adorno points out that the images of the interior monologue ( i.e. , the ...
Seite 96
... practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the practice against which it sets itself an impasse in critical thinking which Fredric Jameson , in a slightly ...
... practice have been identified with a " politics of otherness " in which opposition is al- ready defined and contained by the practice against which it sets itself an impasse in critical thinking which Fredric Jameson , in a slightly ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York