Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 44
... objects , 11 and therefore , that our per- ception is informed ( or deformed ) by the symbolic values different cultures attach ... object reproduced which I can only compare ( mutatis mutan- dis ) to the presence of the actor's body on 44.
... objects , 11 and therefore , that our per- ception is informed ( or deformed ) by the symbolic values different cultures attach ... object reproduced which I can only compare ( mutatis mutan- dis ) to the presence of the actor's body on 44.
Seite 65
... object of desire is literally indifferent ( " There is no object of desire : Man is desiring " -P . Legendre ) . Lacan's graphic representation of the drive has it go around its ' goal ' : to him , no object can really affect the drive ...
... object of desire is literally indifferent ( " There is no object of desire : Man is desiring " -P . Legendre ) . Lacan's graphic representation of the drive has it go around its ' goal ' : to him , no object can really affect the drive ...
Seite 120
... object , and for many a crucial one , I have tried to produce this was my truth a discourse that was neither assertive nor negative , nor neutral - a commentary whose tone would be : no comment . An assent ( a mode of language belonging ...
... object , and for many a crucial one , I have tried to produce this was my truth a discourse that was neither assertive nor negative , nor neutral - a commentary whose tone would be : no comment . An assent ( a mode of language belonging ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York