Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 77
... meaning . This is partly because an entry into the symbolic must be compen- sated for by the loss and denial of ... meaning must therefore quickly be recog- nized as one of a number of levels of meaning . There is no direct link between ...
... meaning . This is partly because an entry into the symbolic must be compen- sated for by the loss and denial of ... meaning must therefore quickly be recog- nized as one of a number of levels of meaning . There is no direct link between ...
Seite 108
... meaning , to induce specific emotions- takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity ” are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
... meaning , to induce specific emotions- takes on an aspect of madness as it forms a parenthe- sis in which " beauty " and " deformity ” are given a certain parity by association , yet counterposed as an oxymoron , a crisis in meaning ...
Seite 117
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
... meaning . China seems to resist yielding this meaning , not because it hides it , but more subver- sively , because ( in this respect very un - Confucian ) it defeats the constitution of concepts , themes , names . It does not divide up ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York