Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 18
... language , " no language of another order than the symbolic to which each person is born with the coming of language and success- ful completion of the Oedipus Complex . But Kristeva's theory sug- gests other lines of approach . For ...
... language , " no language of another order than the symbolic to which each person is born with the coming of language and success- ful completion of the Oedipus Complex . But Kristeva's theory sug- gests other lines of approach . For ...
Seite 64
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , A language of the past . the penguin , the beaver . Current runs through bodies and then it doesn't . On again . Off again ...
... language of sounds , of noise , of switching , of signals . It was the language of the rabbit , the caribou , A language of the past . the penguin , the beaver . Current runs through bodies and then it doesn't . On again . Off again ...
Seite 65
... language of the past because the electronic sounds , the noises , the switch- ing and the signals , recall the archaic language of sounds , the primordial sound - signals of the animal world . If one were to experience what Laurie ...
... language of the past because the electronic sounds , the noises , the switch- ing and the signals , recall the archaic language of sounds , the primordial sound - signals of the animal world . If one were to experience what Laurie ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York