Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 104
... gives the camera is so direct , because who would not like to be addressed with so much feeling and honesty ? A nakedness of the soul comes through her words at the audience that only the cinema can give , when in life such a situation ...
... gives the camera is so direct , because who would not like to be addressed with so much feeling and honesty ? A nakedness of the soul comes through her words at the audience that only the cinema can give , when in life such a situation ...
Seite 111
... give back to spectacle the presence of ( ritual ) enactment , rather than of illusionist representation . More to ... gives a work the status of an object and a value . To say therefore that Achternbusch as a filmmaker is unique is not ...
... give back to spectacle the presence of ( ritual ) enactment , rather than of illusionist representation . More to ... gives a work the status of an object and a value . To say therefore that Achternbusch as a filmmaker is unique is not ...
Seite 58
... Give her the silver gates ! ' The Lord So she went to heaven through sil- ver gates . Then the second woman came . ' What did you do down there ? ' The Lord asked . ' Sir , I loved only one man and mar- ried the same man . After ...
... Give her the silver gates ! ' The Lord So she went to heaven through sil- ver gates . Then the second woman came . ' What did you do down there ? ' The Lord asked . ' Sir , I loved only one man and mar- ried the same man . After ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York