Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 33
Seite 36
... gaze in Lili Marleen is by no means unproblematic , however . Henkel , the Nazi who " discovers " Willie and arranges for the recording of the song , might seem a likely candidate for the privileged role of spectator within the film ...
... gaze in Lili Marleen is by no means unproblematic , however . Henkel , the Nazi who " discovers " Willie and arranges for the recording of the song , might seem a likely candidate for the privileged role of spectator within the film ...
Seite 74
... gaze of the other constructs her . Her skeleton , her vertebrae , are forged in the intensity of the gaze . From this comes her solidity , the perfect assembly of her joints without a hint of creaking , the pride of her bearing : chin ...
... gaze of the other constructs her . Her skeleton , her vertebrae , are forged in the intensity of the gaze . From this comes her solidity , the perfect assembly of her joints without a hint of creaking , the pride of her bearing : chin ...
Seite 91
... gaze of the other gives the Porteña a feeling of strength : " her skeleton , her vertabrae , are forged in the intensity of the gaze . From this comes the solidity , the perfect assembly of her joints ... the pride of her bearing " ( BA ...
... gaze of the other gives the Porteña a feeling of strength : " her skeleton , her vertabrae , are forged in the intensity of the gaze . From this comes the solidity , the perfect assembly of her joints ... the pride of her bearing " ( BA ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York