Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 73
Seite 63
... function , dispelling the illusionist myth of visual accuracy . In a similar vein , Kluge adheres to the photographc capability of the camera , for precisely this reason : if discursively contextualized visual particularity can itself ...
... function , dispelling the illusionist myth of visual accuracy . In a similar vein , Kluge adheres to the photographc capability of the camera , for precisely this reason : if discursively contextualized visual particularity can itself ...
Seite 37
... function is no simple recitation of the law of the father . For Willie is shuf- fled , not from narrative center ... functions of spectacle - as the marker of sexual differ- ence , and as counterpart to narrative , are the basis for Lili ...
... function is no simple recitation of the law of the father . For Willie is shuf- fled , not from narrative center ... functions of spectacle - as the marker of sexual differ- ence , and as counterpart to narrative , are the basis for Lili ...
Seite 90
... function intertextually , as Bakhtin and Walter Benjamin have stressed . Unlike the biological clone the textual fragment remem- orates , not only repeats , its other uses in the host text . These other uses are presented , but not ...
... function intertextually , as Bakhtin and Walter Benjamin have stressed . Unlike the biological clone the textual fragment remem- orates , not only repeats , its other uses in the host text . These other uses are presented , but not ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York