Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 103
... figure with whom the spectator might identify this would lead inevitably to a fictional and romanesque con- ception ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
... figure with whom the spectator might identify this would lead inevitably to a fictional and romanesque con- ception ... figure Achternbusch draws some of his strongest comic effects ( and in this sense he is closer to the bad taste of ...
Seite 84
... figures which mark an absence . That is , the figure of Woman , for example , stands as a simulacra for all the ... figure . This territory of the Other ( the past , the colony , differences of gender , race , nationality ) serves ...
... figures which mark an absence . That is , the figure of Woman , for example , stands as a simulacra for all the ... figure . This territory of the Other ( the past , the colony , differences of gender , race , nationality ) serves ...
Seite 110
... figure of what the film does not describe : a utopia where a story resolves all of the information into a circumscribed , uni- fied world ( utopian because within narrative desires are ful- filled ) . Where narrative works with the ...
... figure of what the film does not describe : a utopia where a story resolves all of the information into a circumscribed , uni- fied world ( utopian because within narrative desires are ful- filled ) . Where narrative works with the ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York