Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 16
... female audience . These contrasts are reinforced by a number of others : whereas the men sit on a platform , rising amid much applause to address the crowd , the women huddle in a segregated area , apparently under the platform . The ...
... female audience . These contrasts are reinforced by a number of others : whereas the men sit on a platform , rising amid much applause to address the crowd , the women huddle in a segregated area , apparently under the platform . The ...
Seite 37
... female body . And so the third level on which spectacle functions in Lili Mar- leen is a reading of the interconnections between woman as image and fascism as image . Lili Marleen recalls the best - known auteur of fascist film ...
... female body . And so the third level on which spectacle functions in Lili Mar- leen is a reading of the interconnections between woman as image and fascism as image . Lili Marleen recalls the best - known auteur of fascist film ...
Seite 4
... female writing / spea- king / looking subject maintains towards both the West and men . Djebar looking at Delacroix's look of the feminine Orient re- writes the moment of unveiling only by partaking in the painter's sense of exoticism ...
... female writing / spea- king / looking subject maintains towards both the West and men . Djebar looking at Delacroix's look of the feminine Orient re- writes the moment of unveiling only by partaking in the painter's sense of exoticism ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York