Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 71
... feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I see only a ...
... feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I see only a ...
Seite 6
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
... feel shame , why should the viewed ? " ( Vasanti , in India Cabaret ) . Buyers and sellers are bound to one another ... feeling of being distinct ( if not superior ) from the dancers , and the desire to uplift those supposedly in need of ...
Seite 69
... feeling , even among people who knew India , that they had never entered this world . And then of course there were ... feel like a traitor — a bad image of India and all that ! It was precisely this kind of pressure that prompted WNET ...
... feeling , even among people who knew India , that they had never entered this world . And then of course there were ... feel like a traitor — a bad image of India and all that ! It was precisely this kind of pressure that prompted WNET ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York