Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 54
Seite 71
... eyes and see much more . I even remember the many times I have closed my eyes and the many images I have seen or thought I have seen . But I also remember so little of what I have seen . Those images race by . I try to imagine my heart ...
... eyes and see much more . I even remember the many times I have closed my eyes and the many images I have seen or thought I have seen . But I also remember so little of what I have seen . Those images race by . I try to imagine my heart ...
Seite 99
... Eyes - Vietnam , 1982 ) deserve to be better known , as do his film - essays and critical writ- ings . For this reason , I shall draw most of my examples from the work of the latter , with occasional reference to Helke Sander . In what ...
... Eyes - Vietnam , 1982 ) deserve to be better known , as do his film - essays and critical writ- ings . For this reason , I shall draw most of my examples from the work of the latter , with occasional reference to Helke Sander . In what ...
Seite 40
... eyes beheld the permanent spectacle of an exteriority composed entirely of pomp , furor , cavalcades , and rapid movement . But when he went from Morocco to Algeria , Delacroix at the same time crossed a subtle frontier , one which ...
... eyes beheld the permanent spectacle of an exteriority composed entirely of pomp , furor , cavalcades , and rapid movement . But when he went from Morocco to Algeria , Delacroix at the same time crossed a subtle frontier , one which ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York