Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 33
Seite 98
... close the cinema actually is , in Achternbusch's conception , to a perpetual quest for an almost pre - Oedipal undifferentiation could be argued from many passages of his writings , which in turn , success- fully merge with filming and ...
... close the cinema actually is , in Achternbusch's conception , to a perpetual quest for an almost pre - Oedipal undifferentiation could be argued from many passages of his writings , which in turn , success- fully merge with filming and ...
Seite 71
... close to feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I ...
... close to feeling that I will never understand the tears . Might as well give up . I am still bothered though . I nag myself . After all what picture do I have of my own body ? I feel the internal , but can only touch the external . I ...
Seite 119
... close the Salle des Etats , the perfor- mances continued under tremendous tension only to be ex- tended in the arena of the street when the artists were met by waiting police . This charged example suggests the implications of regulat ...
... close the Salle des Etats , the perfor- mances continued under tremendous tension only to be ex- tended in the arena of the street when the artists were met by waiting police . This charged example suggests the implications of regulat ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York