Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 4
... cinema's formal and ideological “ pro- gram , " claiming for itself the status of a " counter cinema . " Film theory also adopted an increasingly critical attitude toward popular cinema , frequently citing avant - garde texts as ...
... cinema's formal and ideological “ pro- gram , " claiming for itself the status of a " counter cinema . " Film theory also adopted an increasingly critical attitude toward popular cinema , frequently citing avant - garde texts as ...
Seite 5
... cinema , and derive their value almost entirely through their nega- tive relation to that cinema . Gidal's films and the authorial commentary surrounding them make unusually explicit the degree to which the antagonism of ex- perimental ...
... cinema , and derive their value almost entirely through their nega- tive relation to that cinema . Gidal's films and the authorial commentary surrounding them make unusually explicit the degree to which the antagonism of ex- perimental ...
Seite 32
... cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the clas ...
... cinema , in which pleasure would be a function of something other than the familiar dualities . What has become increasingly apparent , however , is that those familiar dualities are not so easily dispensed with , and that the clas ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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