Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
Im Buch
Ergebnisse 1-3 von 58
Seite 32
... character in the realist sense of character unity and psychological motivation , she is nevertheless a compelling presence on screen and the nominal focus of the film . Her persona as well as her distillation of the film's narrative and ...
... character in the realist sense of character unity and psychological motivation , she is nevertheless a compelling presence on screen and the nominal focus of the film . Her persona as well as her distillation of the film's narrative and ...
Seite 66
... character of Gabi Teichert touches on the most interesting yet also problematic device of genre - crossing in ... character in Kluge's films is inseparable from its relation to the voice - over , the absent narrator who intervenes , seem ...
... character of Gabi Teichert touches on the most interesting yet also problematic device of genre - crossing in ... character in Kluge's films is inseparable from its relation to the voice - over , the absent narrator who intervenes , seem ...
Seite 68
... characters does not pretend to the illusionistic wholeness of conventional female protagonists , but makes the character readable as a construction , as a focal point of intersecting discourses . Thus , she achieves the relative ...
... characters does not pretend to the illusionistic wholeness of conventional female protagonists , but makes the character readable as a construction , as a focal point of intersecting discourses . Thus , she achieves the relative ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
3 weitere Abschnitte werden nicht angezeigt.
Andere Ausgaben - Alle anzeigen
Häufige Begriffe und Wortgruppen
Achternbusch Algiers American appears become body Buenos Aires called camera character cinema close comes communication completely concerned construction context critical cultural death desire diegesis discourse discussion dominant effect example existence experience eyes fact feel female feminist fiction figure film filmmakers function gaze German give hand human identity imaginary issue Kluge language less literature live look male Marxism material meaning memory mode move movement narrative narrator nature never nuclear object opposition organism performance person play political position possible postmodern practice present problem production provides question referent relation relationship remains represent representation seems seen sense separation sexual situation social sound space speak spectator speech story structure suggests symbolic theory tion traditional turn University voice whole woman women writing York