Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9Indiana University Press, 1979 |
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Seite 14
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
... camera . This is of course a camera style we associate with newsreel footage exposed under stressful conditions . It has consequently come to connote " history " and " facticity . " Here , however , it seems to be the visual correlative ...
Seite 119
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , “ Helke Sander and the Will to Change ...
... Camera Obscura no . 2 5. Guillaume Apollinaire , " Un Beau Film " , L'Hérésiarque et Cie , 1910 ( engl . translation in Sight and Sound , July - Sept . 1952 , pp . 40-41 ) 6. Kaja Silverman , “ Helke Sander and the Will to Change ...
Seite 114
... camera . ” 7 The ideological mechanism at work here is the rapport between camera and Subject , the maintenance of a dominant ideology of visibility sustaining the idealization of the representing Subject — the power - laden Subject ...
... camera . ” 7 The ideological mechanism at work here is the rapport between camera and Subject , the maintenance of a dominant ideology of visibility sustaining the idealization of the representing Subject — the power - laden Subject ...
Inhalt
About Our Contributors | 3 |
Helke Sander and the Will to Change | 10 |
The Power of the Narrator in Modernist | 31 |
Urheberrecht | |
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