Discourse: Berkeley Journal for Theoretical Studies in Media and Culture, Ausgaben 6-9

Achternbusch Adynata aesthetic Alexander Kluge American Anni avant-garde become body Buenos Aires camera character construction context critical critique cultural cybernetic cyborg deconstruction desire diegesis diegetic discourse documentary dominant enunciation essay experience fantasy Farocki Fassbinder Fassbinder's female feminism feminist fiction film theory film's filmmakers function gaze gender German Cinema Germany in Autumn Godard Gravity's Rainbow Helke Sander Herbert Achternbusch human identity ideology imaginary India Cabaret Indian Kaja Silverman Lacan language Laura Mulvey Lili Marleen literary literature look male meaning memory metaphor mode montage myth narrative narrator nuclear Oedipal opposition organism political Porteño position postmodern present production question relation relationship represent representation Roswitha sense sequence sexual difference shot signifiers social space speak spectacle spectator speech story structure Subjective Factor Symbolic order tango television textual tion tive traditional trans viewer visual voice voice-over woman women words writing York