The Rise of Romanticism: Essential Texts |
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Seite 42
So that however we consider motion and its communication either from body or spirit , the idea which belongs to spirit is at least as clear as that that belongs to body . And if we consider the active power of moving or , as I may call ...
So that however we consider motion and its communication either from body or spirit , the idea which belongs to spirit is at least as clear as that that belongs to body . And if we consider the active power of moving or , as I may call ...
Seite 74
7 From what has been said , it follows , there is not any other substance than spirit , or that which perceives . But for the fuller proof of this point , let it be considered , the sensible qualities are colour , figure , motion , smel ...
7 From what has been said , it follows , there is not any other substance than spirit , or that which perceives . But for the fuller proof of this point , let it be considered , the sensible qualities are colour , figure , motion , smel ...
Seite 79
Time therefore being nothing , abstracted from the succession of ideas in our minds , it follows that the duration of any finite spirit must be estimated by the number of ideas or actions succeeding each other in that same spirit or ...
Time therefore being nothing , abstracted from the succession of ideas in our minds , it follows that the duration of any finite spirit must be estimated by the number of ideas or actions succeeding each other in that same spirit or ...
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Inhalt
Thomas Burnet | 17 |
John Locke | 37 |
John Dennis | 48 |
Urheberrecht | |
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abstract actions admiration ancient appear association authority beauty become body Book cause century character circumstances classical common concept concerning consider continues course creative distance distinct Earth effect equal eternal evident example existence experience express extension fancy feeling figure frequently genius give greater ground hand heaven human ideas imagination imitation impressions infinite instance kind language less light living look manner means memory mind motion mountains nature never objects observed original particular pass passions perceived perception perhaps person philosophers pleasure poem poet poetical poetry Pope present principle produce proper prophetic reader reason relation rise Romantic seems sensation sense sensible sight simple soul sound space speak spirit sublime suggests suppose term theory things thought true understanding vibrations visible whole writing Young
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The Politics of Art: Eli Mandel's Poetry and Criticism Ed Jewinski,Andrew Stubbs Eingeschränkte Leseprobe - 1992 |